Posts Tagged ‘marketing on LinkedIn’

Personally—Richard Geller

Friday, July 2nd, 2010

Personally

Personally I don’t entertain beliefs
Any more than is absolutely necessary—
The problem with them being
They rarely perform as advertised
And may in fact more often
Blind us to the truth than reveal it

Today I’m told a story about brothers—
About how when one tried to introduce
The new love who’d come into his life
The other brother’s wife barred her
From ever crossing their threshold—
Living as they were “in sin”

After a lifetime with her and two grown sons
The brothers themselves are barely reconciled.
We visit the one now grown desperately
Lonely for she whose passing
At the mere mention of her name
Brings tears for his shunned beloved

And The April Results—Richard Geller

Sunday, May 2nd, 2010

One of the goals of this blog from the beginning was to share whatever results we got with those who are interested in the viability of online DTF (direct-to-fan) marketing. My hope was that over time, more people would engage in a discussion of what works and what doesn’t, and we’d all start to get a better handle on what’s really required for online audience building and promotion.

Just a few days more than a month ago, we made our first significant upgrade to the site. I say first, because I expect there will be a second and a third and so forth. That’s just a guess based on my experience to date that refining the user experience and adding content is just part of ongoing online marketing.

So, what results if any are observable after one-month with our new “Shortcut” option and its new feature set?

We’ve had the most traffic ever: 3739 visits, and with an average of 2.47 visits per visitor. Most significantly the percentages of people spending more than one hour (2.4%), a half-hour to an hour (2.6%) and fifteen minutes to a half-hour (1.8%) and five minutes to fifteen minutes (4.2%) shifted towards the overall number of people spending more than a half-hour to over an hour doubling over previous months. 74% of traffic is gone in less than 30 seconds, however. Also we had visits from 67 countries.

Okay but what does this mean? (Note: I choose the Awstat figures, because they tend to be more conservative.)

We’re hearing fewer comments that people find the site confusing and instead more comments about how easy it is to navigate. We got our first full site review with glowing comments from the Champlain College Publishing Initiative . And it would appear people are staying longer and engaging more with the content. I’m assuming this, because I received more favorable comments about the books from people who visited.

On the other hand, sales are still slow, and I have not seen any increase in the conversion rate (less than 1%). What will it take for people to start buying? I really have no ideas other than the ones I shared in previous posts. I’ll implement them and see how things turn out. But that’s also why this is an experiment worth doing. Onward!

Building A Publishing Platform—Richard Geller

Monday, April 26th, 2010

About nine months ago, give or take a few months, when we were about to launch aSiteAboutSomething, an intellectual property lawyer, who was truly kind, took some time to explain to me how things worked and introduced me to this term: publishing platform. And that I needed one. Essentially, a publishing platform is an established base of fans, who are interested enough in your work to not only purchase it but to talk about it with others. ….Makes sense. It’s one of the things publishing houses look for in considering an author, because marketing books is mostly uncharted territory today, and they really are not very accomplished at it, and they know it.

Here’s the problem with “building a publishing platform,” the term itself tends to take you down the wrong path. It’s visual and intelligent sounding, but it leads you to think in terms of constructing an actual thing (think: hammer, saws, nails).

What we indie artists need to do primarily, from a marketing standpoint, is to establish and maintain real relationships with individuals who truly respond to our work. We need to listen to them and learn what’s uppermost in their hearts and minds, and how our work fits in that context. If we nurture enough of those relationships, there’s your platform. (Personally, I think “publishing platform” is a term that was coined by folks who did not have or need one.)

Now where are these ideas coming from? Mostly from discussions I’ve been having with LinkedIn contacts. Some of them are other indie artists like myself; others are business people who understand marketing and are kind enough to give me some much needed advice.

I wrote this to one of them this morning—puzzling over the gap between site traffic and sales (conversions for those who prefer marketing-speak)

“We are, each of us, in the midst of a process of figuring out precisely how we can connect meaningfully with others online to build a global audience. No one can really tell us just how to do that right now, but my intuition tells me that it requires great patience and refining all the details. What is lovely is that the wired world is somewhat of an upside down world where collaborative behaviors really make more sense than older competitive paradigms. Of course that’s true of all worlds, but we just haven’t opted for that mostly.”

So, here’s what I’m doing starting today. Whenever anyone shows any real interest in what I’m doing or purchases something from me. I am going to take the opportunity to at least ask two questions (not necessarily worded exactly like this):

1. What could I do to make your onsite experience better or more satisfying?

2. Tell me a little about you, and what it is about my work that’s of particular importance or interest to you?

The better we understand what’s going on in the hearts and minds of the people who respond to our work, the richer and more satisfying the communication, the more solid our virtual “publishing platforms” will be.

I’ll let you know what works or doesn’t Let’s stay in touch and share the journey.

Where Good Ideas Come From—Richard Geller

Friday, April 16th, 2010

You never know where the next provocative idea is going to come from or, more particularly, from whom. Once you open yourself to the ideas and suggestions of others, someone can come along and knock your assumptions upside the head.

I had a fun time the other day speaking with Susan Klein, who I met marketing on LinkedIn about her company Exit-Offers, which prints out targeted coupon offers where people buy their beer on Long Island. She wrote that she had some ideas about reaching my demographic, and my initial reaction was, “huh?”

My assumption has been that my audience is probably: reflective, march-to-their-own-drummer, new ager, yoga, environmental, meditator, spiritual/philosophical, boomer types. My assumption has been they’re everywhere on the web and nowhere in particular.

Susan introduced me to Alexa and said maybe I’m thinking too narrowly. She suggested: well-educated, with disposable income, skewed toward women with children 8 and over. Seth Godin, whose blog I read faithfully, would probably add, people who buy books.

Susan was talking to me about a small coupon campaign targeted in the Hamptons to build traffic. Now, I have no idea whether or not Susan’s idea would be a cost-effective way for me to use my limited advertising dollars, especially since I don’t have an advertising budget yet. But she definitely got me thinking differently. And she has experiences and knows things I don’t. It’s just like your parents told you: ask questions and listen.

The Joys Of LinkedIn Marketing—Richard Geller

Wednesday, April 14th, 2010

It’s funny how as you start to actually learn a little something about what you’re doing, you begin relax and actually start enjoying things you never thought you would…

I use to meet with a group of writers to talk about self publishing and book marketing, because even then we knew the state of publishing was (insert epithet to suit taste). Collectively, we knew next to absolute zero about the subject but were game to learn. We did some reading, some research, met folks who were actually doing it and pretty near convinced ourselves not to. The simple truth was, “We were writers dammit not marketers.” But the other simple truth was, if any of us ever wanted to be read, we had better become marketers. Welcome to the wired world.

Well, that time seems long ago. aSiteAboutSomething took a lot longer to build and launch than I ever expected, and I’ve been faithfully describing the techniques I’ve been using to build site traffic for the past nine months. But this morning, as I was doing my usual—sending out notes introducing myself to folks on LinkedIn and inviting them to my site, I meet Brian P. (name withheld to protect Brian from the embarrassment of being associated with the likes of me) who hands me my first belly laugh of the morning, and we keep it going through a series of exchanges, and I start to think about just how amazing this new wired world of ours is. Because Brian, who besides being a musician, is a guy with serious skills in global video production. And, in the normal course of events, we probably wouldn’t have run into each other, just because we roam different parts of the savanna and run with different herds. But in the space of a just few minutes; we’re connected and this world seems a friendly, funnier place and this business of marketing what you truly love is just having fun.

One of the great joys of LinkedIn marketing is meeting interesting, funny, talented, experienced, generous people in all sorts of fields. It’s not that way 24/7, but it is at least some of the time. Don’t be afraid to jump in; the water’s fine. (I apologize in advance for having just mixed my metaphors.)

To Link Or Not To Link—Richard Geller

Tuesday, April 13th, 2010

When we were working on aSiteAboutSomething, Dave and I discussed the subject of links a few times. Naturally, we liked the idea of other people adding a link to our site from theirs, but those links might not be entirely consistent with the spirit of what our site was about, so we might not feel comfortable giving them a link. Also, there might be people we really liked but maybe weren’t that crazy about their work. Same thing with advertising. It could violate the implicit promise of the online experience we hoped to create. Bottom line: no links page on our site.

So, sooner or later, the links issue had to come up for real. This week, a couple of people wanted to exchange links, and I responded as usual with a super polite explanation of our No Links Page policy and the rationale behind it. But, then, today there was Jane Nelson and her all-natural-clothing site.

Before you could say all natural cotton, she had said the nicest kinds of things and given us a link on her site, and I had to explain why we had no links on our site. I began. “I love what you are doing with all natural clothing and the environmental messaging that I find on your site. I am a fan and my wife is going to be a bigger fan. Would it be okay if I blog about you instead? Here’s Jane’s response, sans the cute emoticons, which WordPress does not recognize:

Hi Richard,

You will? You’ll blog about my little ole site? I’d love it!
I’m sure you’ll send it to me when you’ve done your masterpiece…

Thanks . . ’till soon,

Jane

So, if you’re ready to get fashionably dressed in an environmentally-friendly way, you might want to check out Jane’s place, where there are all kinds of other environmentally-responsible links—including one to an environmentally-friendly writer, who’s been known to blog once-in-a-while about the nice stuff in this amazing wired world of ours that comes his way.

LinkedIn Marketing, Part 2—Richard Geller

Sunday, February 28th, 2010

It’s been just about eighteen days since I started to actively market on LinkedIn. Here’s what I did; I joined about a dozen professional groups, introduced myself to four or five of these groups as a whole, and, then, have followed up by sending a short personal letter of introduction to lots and lots of individuals with an invitation to visit http://www.aSiteAboutSomething.com. In all instances, I’ve asked people to share the site address with anyone they thought might be interested in my work or the site.

So, what kind of results am I getting? Actually, fantastic. In eighteen days, I’ve built a network of 260 people: a diverse group of musicians, producers, writers, publishers, agents, SEO and IT professionals, online marketers, etc., who’ve been exceedingly generous with their time to visit the site and offer feedback—some of it very useful. I’ve had two tentative offers to use my music in video/film projects and a connection with an internet radio station. I’ve been approached by a record label, and I’ve made phone or Skype contact with quite a few of people who I believe will become good friends and colleagues. The site itself received its largest numbers of visits yet this month: 3579 according to Awstats or just under 4900 according to Webalizer. (I’ve always used Awstats, because it’s the lower number.) But the bottom line is we had just under a thousand more visits this month than last.

Pebble-in-pond marketing is a term I heard online. In essence, it’s the effect of tossing a pebble into a pond and creating ripples that fan out. A lot of the people I’m connecting with on LinkedIn know people who know people who might be interested in what I’m doing. So if they send my site to those people, that’s far more likely to result in visits from people already predisposed to what I do.

You’ll have to draw your own conclusions about whether LinkedIn marketing is a good way to go for you. But for someone like me who’s trying to build an audience using a website as the primary vehicle, it’s terrific. On top of that, you meet some really nice people.