Archive for the ‘Design’ Category

Where Good Ideas Come From—Richard Geller

Friday, April 16th, 2010

You never know where the next provocative idea is going to come from or, more particularly, from whom. Once you open yourself to the ideas and suggestions of others, someone can come along and knock your assumptions upside the head.

I had a fun time the other day speaking with Susan Klein, who I met marketing on LinkedIn about her company Exit-Offers, which prints out targeted coupon offers where people buy their beer on Long Island. She wrote that she had some ideas about reaching my demographic, and my initial reaction was, “huh?”

My assumption has been that my audience is probably: reflective, march-to-their-own-drummer, new ager, yoga, environmental, meditator, spiritual/philosophical, boomer types. My assumption has been they’re everywhere on the web and nowhere in particular.

Susan introduced me to Alexa and said maybe I’m thinking too narrowly. She suggested: well-educated, with disposable income, skewed toward women with children 8 and over. Seth Godin, whose blog I read faithfully, would probably add, people who buy books.

Susan was talking to me about a small coupon campaign targeted in the Hamptons to build traffic. Now, I have no idea whether or not Susan’s idea would be a cost-effective way for me to use my limited advertising dollars, especially since I don’t have an advertising budget yet. But she definitely got me thinking differently. And she has experiences and knows things I don’t. It’s just like your parents told you: ask questions and listen.

The Joys Of LinkedIn Marketing—Richard Geller

Wednesday, April 14th, 2010

It’s funny how as you start to actually learn a little something about what you’re doing, you begin relax and actually start enjoying things you never thought you would…

I use to meet with a group of writers to talk about self publishing and book marketing, because even then we knew the state of publishing was (insert epithet to suit taste). Collectively, we knew next to absolute zero about the subject but were game to learn. We did some reading, some research, met folks who were actually doing it and pretty near convinced ourselves not to. The simple truth was, “We were writers dammit not marketers.” But the other simple truth was, if any of us ever wanted to be read, we had better become marketers. Welcome to the wired world.

Well, that time seems long ago. aSiteAboutSomething took a lot longer to build and launch than I ever expected, and I’ve been faithfully describing the techniques I’ve been using to build site traffic for the past nine months. But this morning, as I was doing my usual—sending out notes introducing myself to folks on LinkedIn and inviting them to my site, I meet Brian P. (name withheld to protect Brian from the embarrassment of being associated with the likes of me) who hands me my first belly laugh of the morning, and we keep it going through a series of exchanges, and I start to think about just how amazing this new wired world of ours is. Because Brian, who besides being a musician, is a guy with serious skills in global video production. And, in the normal course of events, we probably wouldn’t have run into each other, just because we roam different parts of the savanna and run with different herds. But in the space of a just few minutes; we’re connected and this world seems a friendly, funnier place and this business of marketing what you truly love is just having fun.

One of the great joys of LinkedIn marketing is meeting interesting, funny, talented, experienced, generous people in all sorts of fields. It’s not that way 24/7, but it is at least some of the time. Don’t be afraid to jump in; the water’s fine. (I apologize in advance for having just mixed my metaphors.)

To Link Or Not To Link—Richard Geller

Tuesday, April 13th, 2010

When we were working on aSiteAboutSomething, Dave and I discussed the subject of links a few times. Naturally, we liked the idea of other people adding a link to our site from theirs, but those links might not be entirely consistent with the spirit of what our site was about, so we might not feel comfortable giving them a link. Also, there might be people we really liked but maybe weren’t that crazy about their work. Same thing with advertising. It could violate the implicit promise of the online experience we hoped to create. Bottom line: no links page on our site.

So, sooner or later, the links issue had to come up for real. This week, a couple of people wanted to exchange links, and I responded as usual with a super polite explanation of our No Links Page policy and the rationale behind it. But, then, today there was Jane Nelson and her all-natural-clothing site.

Before you could say all natural cotton, she had said the nicest kinds of things and given us a link on her site, and I had to explain why we had no links on our site. I began. “I love what you are doing with all natural clothing and the environmental messaging that I find on your site. I am a fan and my wife is going to be a bigger fan. Would it be okay if I blog about you instead? Here’s Jane’s response, sans the cute emoticons, which WordPress does not recognize:

Hi Richard,

You will? You’ll blog about my little ole site? I’d love it!
I’m sure you’ll send it to me when you’ve done your masterpiece…

Thanks . . ’till soon,

Jane

So, if you’re ready to get fashionably dressed in an environmentally-friendly way, you might want to check out Jane’s place, where there are all kinds of other environmentally-responsible links—including one to an environmentally-friendly writer, who’s been known to blog once-in-a-while about the nice stuff in this amazing wired world of ours that comes his way.

LinkedIn Marketing, Part 3—Richard Geller

Tuesday, April 6th, 2010

So, it’s now been 54 days since I started to actively market using LinkedIn. I now have a network of 404 diverse professional contacts. Yesterday I sent out a message to everyone that I just uploaded some significant changes to http://www.aSiteAboutSomething.com —in particular a new “shortcut’ option with a direct link to my books and music. These changes include: a new book, Living On The Outskirts Of Heaven, a lighthearted collection of poems about achieving peace of mind, a “Testimonials” section, and a “Richard Who?” section with some short videos of me speaking about the site and its content. All these changes were the result of feedback I received from my various contacts including those on LinkedIn. Yesterday we also had 192 visits to the site—about double the number the we normally get. Coincidence? I don’t think so. I’m asking all my contacts for feedback (positive and otherwise), and I’m starting a list of the changes we’ll make next—all toward eventually having a global platform that earns the loyalty and support of its audience.

Faux Clapton Changes Everything Or Not—Richard Geller

Wednesday, March 3rd, 2010

An excellent story about the emergence of new artificial intelligence musical tools from Zenph this morning in Wired prompted the following:

I love “technology changes everything” stories, and in this case the technology is way cool, and I’m not sure that much is changing. Life always comes down to the choices we make, their consequences and what we learn (if anything sadly) in the process. Artists are always commenting on our/their choices. If a musician chooses to accompany himself with a pair of spoons or with a digi-pro-multichan-conscribulator in the end makes a difference, but not the difference. Is what he or she saying relevant to you now? Does it speak to you…touch you deeply or is it just background flash signifying nothing? Artists always choose to experiment with new and better tools, but it’s what they do with them (even with faux Clapton playing lead) that means something or doesn’t. Did “Tears In Heaven” touch you? Why? Great music is always an original response to life channeled from the depths of being. That said, bring on the new toys—the more the merrier.

LinkedIn Marketing, Part 2—Richard Geller

Sunday, February 28th, 2010

It’s been just about eighteen days since I started to actively market on LinkedIn. Here’s what I did; I joined about a dozen professional groups, introduced myself to four or five of these groups as a whole, and, then, have followed up by sending a short personal letter of introduction to lots and lots of individuals with an invitation to visit http://www.aSiteAboutSomething.com. In all instances, I’ve asked people to share the site address with anyone they thought might be interested in my work or the site.

So, what kind of results am I getting? Actually, fantastic. In eighteen days, I’ve built a network of 260 people: a diverse group of musicians, producers, writers, publishers, agents, SEO and IT professionals, online marketers, etc., who’ve been exceedingly generous with their time to visit the site and offer feedback—some of it very useful. I’ve had two tentative offers to use my music in video/film projects and a connection with an internet radio station. I’ve been approached by a record label, and I’ve made phone or Skype contact with quite a few of people who I believe will become good friends and colleagues. The site itself received its largest numbers of visits yet this month: 3579 according to Awstats or just under 4900 according to Webalizer. (I’ve always used Awstats, because it’s the lower number.) But the bottom line is we had just under a thousand more visits this month than last.

Pebble-in-pond marketing is a term I heard online. In essence, it’s the effect of tossing a pebble into a pond and creating ripples that fan out. A lot of the people I’m connecting with on LinkedIn know people who know people who might be interested in what I’m doing. So if they send my site to those people, that’s far more likely to result in visits from people already predisposed to what I do.

You’ll have to draw your own conclusions about whether LinkedIn marketing is a good way to go for you. But for someone like me who’s trying to build an audience using a website as the primary vehicle, it’s terrific. On top of that, you meet some really nice people.

On The Anniversary of Y2K—Richard Geller

Saturday, January 2nd, 2010

One of my favorite blogs in Wired Magazine is, This Day In Tech. Today, I added the following to the comments about whether or not Y2K was a lot of hype or not.

An absence of knowledge of the facts, will never prevent most of us from holding strong opinions on all manner of things. Human beings, like nature apparently, abhor a vacuum of ‘opinion-less-ness’. We form opinions though mostly by choosing sides, selecting those to believe and disparaging the intentions and basic decency of the opposition. And the pundits we choose to believe, while passionate, articulate and loud, are frequently as ignorant of the facts as any among us. But I’d like to suggest that there are some questions of concern so basic, so fundamental to the way we live, that we might better rely on what some might call our innate “common sense.”

Is it necessary to be vigilant about maintaining, securing and updating our computer systems worldwide?
Should we be cleaning up the environment?
Do we require universal access to the very best education possible to assure our future?
Do we require some kind of universal access to affordable healthcare?
Is Congress functioning well—doing the people’s business?

Seriously, now…. Don’t you already know the answer? The big questions are not really the ones that stump us. It’s the figuring out how we’re going get together and go about fixing what’s broken or about to break.

Attracting 1000 True Fans—Richard Geller

Wednesday, December 23rd, 2009

Seth Godin’s blog post this morning introduced me to Kevin Kelly and his post about 1,000 true fans: . It’s provocative reading for indie artists of all varieties, but then follow this link to musician Robert Rich’s thoughtful expansions on the reality of depending upon 1000 true fans:

Every artist needs to be prepared to work consistently at connecting with the people who will truly “get” his/her work… people who will be enthusiastic enough to not only support it with purchases, but also to recommend it to others. The central thesis presented in the links above is that a core base of 1000 true fans may well be sufficient to generate an ongoing income stream sufficient for you to maintain a minimal lifestyle creating art.

What interests me more than the proposition that 1000 core fans might equal financial stability, is the question of how exactly do each of us go about reaching that first 1000 people for whom our work is meaningful enough that they’ll recommend us to others?

At a minimum, we’ll need:
1. A website with compelling content—much of which is free to sample, and
2. Some kind of ongoing marketing campaign (including coattail marketing, blogging, personal appearances/performances, & media exposure) to bring people to our websites (along with any other points of purchase).

What’s missing for most of us are an abundance of reasonable (or maybe not so reasonable) first, second and third steps toward building that viable, on-going marketing effort that not only attracts our first 1000 true fans, but also allows us to keep doing “our work.”

Here’s my short list—good just for this morning:
1. Local is global; global is local. Start wherever you happen to be. That article you got in the local paper is most likely also up on the internet, so there’s no calculating where it will go or who will eventually see it.
2. Build on top of whatever exposure or success you manage to get. Any media exposure you’ve gotten will only add credibility with the new venues you approach. If someone purchases your work, write that person a thank you note and ask for suggestions and referrals.
3. Try just about anything. There’s no hard and fast formula for successful marketing. There’s only what works, so it’s better to experiment and discover what works for you. Then do more of that.
4. Don’t let your beliefs about marketing keep you from seeing what’s happening. Study the results; resist any temptation to rationalize them away with beliefs. If you don’t know why something is happening, don’t know. Keep asking questions until a new working hypothesis occurs to you to test.
5. Quit if you can. And instead find something that you can’t. (For more, see yesterday’s post on Jon Bon Jovi.)

What Bon Jovi Can Teach The Rest Of Us About Marketing & Motivation—Richard Geller

Tuesday, December 22nd, 2009

I was listening to Terry Gross on NPR yesterday interviewing Jon Bon Jovi. Now, Terry Gross happens to be one of the best interviewers in the world. She’s whip-smart, knowledgeable, eclectic in her tastes, and interested in understanding the people she interviews. She’s one of a handful of people I can think of who it must be great fun to be interviewed by.

Anyway, Terry asked Jon about the tactics he used to make an impression on audiences early in his career, and Jon responded with a story about playing the Soviet Union for the first time when his hits like Living On A Prayer were unknown there. Bon Jovi was sharing the stage with a number of solid groups and on the first day of performances hadn’t really broken through to the crowd.

On the second day, he said that he swapped a pair of jeans and a t-shirt with a Russian soldier for his uniform and then with a wireless mic in his pocket did a slow strip tease as walked down through the stadium to the stage. By the time he jumped on stage in jeans and a t-shirt and with an accompanying burst of pyrotechnics, he had the audience on its feet roaring. That’s someone determined to make an impression—someone willing to do whatever it takes to win.

The inevitable conclusion… if you have something new and different to sell, Bon Jovi’s example is a masterclass in the level of motivation and determination you’ll need to break through and get noticed. And that’s assuming you’re already prepared to deliver the goods.

In Search Of A Marketing Strategy—Richard Geller

Tuesday, December 8th, 2009

When I blithely started down the road of online marketing for my books and music, I thought naively: offer a really unique, compelling website experience, build up the traffic, offer your wares at really affordable prices, and you’re pretty much good to go. Alas, not quite…

Finding those individuals who are already both inclined and ready to engage with a book or song by someone they’ve never heard of are still a small part of the population who show up daily at www.aSiteAboutSomething.com. Most, I imagine, are drawn by a level of curiosity that’s easily satisfied with the experience of the site itself. Far fewer wish to dig deeper and read… to discover if they might be seduced into a relationship with the ideas and insights that birthed the site. And that’s not an unreasonable point of view.

For I’m asking visitors for something far more precious than perhaps five dollars for a book or album download. I’m asking them to invest their own time (without any guarantee but my word) that their investment in my words and music will be well-spent and rewarded with something of surpassing value.

What’s wanted is marketing strategy that somehow helps identify those who are at least somewhat receptive to such a proposition, while reassuring everyone that the fare served at the site is healthful, delicious and sustaining. I’m open to ideas…